Yaki Margulies just released his EP “The Disappearing Man”, a six-track project that sits somewhere between indie rock and singer-songwriter sounds with a bit of everything mixed in. It’s not trying to be overly big or dramatic. I think it’s more personal, like something made carefully at home and shaped over time.
The record opens with “Everything Is Different”, and it really feels like a doorway into the EP. It’s simple, not too busy, but it sets a tone that something bigger is coming. Then “Knife Song” kicks in and things get more alive. The guitars and drums have real energy, and the chorus sticks quickly. It’s one of those tracks you replay without thinking too much about it, just because it’s fun and easy to enjoy. The lyrics also feel a bit playful, which helps it stand out.
The title track “The Disappearing Man”, is easily one of the strongest moments here. It’s more complete, like everything is in the right place. The production is clean but still warm, the vocals are soft in a good way, and there are little background touches that keep it interesting. It’s the kind of song that grows on you more with each listen. The song is about change and maybe losing parts of yourself which connects with the general mood of the EP.
“Purgatory Players” slows things down a bit but in a really nice way. The vocals here are probably the highlight. Yaki’s voice is soft and rich and the melodies are beautifully catchy. The instrumental side is simple but fills the space just enough. The ending of this track is especially strong and leaves a bit of a mark.
“I Used To Garden” is a gentle and easy listen. It has a calm rhythm and feels a bit reflective. The lyrics are simple but honest and the melodies are smooth. There’s something slightly different about it too, like it blends styles without making a big deal out of it. It just flows in a nice way.
The EP closes with “I Want To Love You But”, and it honestly feels like the right way to end things. It’s catchy, a bit emotional and has a soft and beautiful tone. The production and mixing here are polished, but not too shiny. Everything sits well, from the vocals to the instruments, and the melodies carry the track nicely.
This EP is a project about change, growing older, and trying to deal with things even when it’s not easy. Even when the music sounds upbeat, there’s usually something a bit sad under it, which gives it more depth. Most of this was created at home which is impressive.
We think Yaki Margulies shows a lot of talent here. The songwriting is strong, the production is thoughtful, and his voice is memorable. It’s not trying to be perfect and that actually helps it feel more real. We’d say this is the kind of EP you come back to quietly, not because it’s loud, but because it sticks in your head over time.
