We can’t get enough of this beautiful masterpiece “A Beehive In My Chest” by talented artist M.E. Netzke. The minute we heard Netzke’s voice, we fell in love with and we couldn’t get it out of our heads. He has one of the richest and most charming voices we’ve ever heard, and his performance on this record is soulful and beautifully catchy. The instrumental is captivating, and the piano in the first seconds adds the most perfect touch we could ever start a song with. The production of this song is smart and the lyrics are beautiful, memorable and mesh perfectly with the vocal melodies. M.E. Netzke is a professional singer and has so much talent when it comes to writing songs. It’s absolutely magical and we wish we heard more songs like this. Kick back and really soak this one in. It’s a treat inside and out and you’ll be falling in love with music all over again. We hope you love it as much as we do!
ABOUT THE ARTIST:
The Vancouver-based M.E. Netzke has been writing and performing his self-described “Doom Croon” since the spring of 2019. He recently relocated to the west coast of Canada after a lengthy stint with a number of bands as a part of the indie scene in Seoul, South Korea. In the wake of years of genre shifting he has pleasantly embraced the “baroque-folk” style akin to artists such as Rufus Wainwright, Beirut, Patrick Watson and Lord Huron. With the support of producer/engineer Jon Anderson he has managed to find a place in the landscape that has allowed for his schizophrenic musical tastes to come together and intermix among themselves in a way that makes you want to cry on roller-skates. His debut solo EP “Volume One: Geranium” was released in 2020 at the beginning of the global shutdown so opportunities for live appearances were limited and instead of touring the record he was constrained to writing violently at his home. The result was a burst of songs and subsequent EP, “Curtain No.2”. Though it was bittersweet, there was much to be lauded. Had it not been for the prescribed time and space, the entirety of the songs on his follow-up album would have never been revealed. His second effort, again paired with the talented Anderson affirmed that the two had unfinished work to explore.
