The Scottish music scene has a reputation for producing some of the most remarkable indie rock acts in the world, and NOISE’s latest EP, “Not Until Tomorrow Night,” is a testament to this legacy. Comprising Luke Doleman on vocals and guitar, Robbie Duncan on bass, Ghassan Junior Khawli on guitar, and Evan Doleman on drums, NOISE emerges as a promising new face in Glasgow’s music landscape, offering a captivating sound that seamlessly melds traditional indie rock with contemporary elements.
Recorded in the esteemed Chem19 Recording Studio in Glasgow and produced by the legendary duo of Jamie and Paul Savage, known for their work with iconic acts like Mogwai, The Delgado’s, and Arab Strap, “Not Until Tomorrow Night” is a meticulously crafted EP. The Savages, who have previously collaborated with the likes of Calvin Harris and Franz Ferdinand, bring their wealth of experience to the table, elevating NOISE’s work to new heights.
The EP opens a dialogue between nostalgia and the present, cleverly reimagining classic literary works with a modern twist. As Luke Doleman, the band’s frontman, aptly puts it, “Not Until Tomorrow Night” explores the connection between the past and the present, drawing inspiration from classic novels such as “Frankenstein” and “The Picture of Dorian Gray.” The band’s ability to weave these timeless themes into their music is both thought-provoking and impressive, showcasing a depth of creativity and musical prowess that sets them apart.
Throughout the EP, NOISE presents a sound that’s both familiar and warmly welcoming, reminiscent of the indie classics that have shaped the genre over the years. In an age when many new releases tend to diverge from indie’s core elements, NOISE’s ability to harness the genre’s essence and infuse it with fresh energy is a breath of fresh air. Their music is an invitation to dive into the kind of indie-rock that made the genre a beloved part of the music world. Described as “Glasgow’s Loudest New Indie Band” by The Glasgow Guardian, NOISE is poised to make a significant mark on the music scene. Their EP is a stellar debut that showcases intellect, talent, and a fresh take on the genre.
As NOISE continues to evolve and carve its niche in the industry, “Not Until Tomorrow Night” serves as an exciting precursor of what’s to come. It’s an EP that not only underscores the band’s growth as musicians but also possesses the power to resonate with a wide range of listeners. With their unique fusion of nostalgia and modernity, NOISE is undoubtedly a band to watch, and “Not Until Tomorrow Night” is the promising beginning of a journey that holds great potential for the indie music scene in Glasgow and beyond.
ABOUT THE BAND:
Dubbed as “Glasgow’s Loudest New Indie Band” (The Glasgow Guardian), NOISE are a 4-piece alternative indie rock band from Scotland with a captivating sound that blends traditional indie rock music with contemporary rock elements, who I believe are one of the most promising new acts on the music scene both in Glasgow and the UK.
NOISE are:
Luke Doleman – vocals and guitar
Robbie Duncan – bass
Ghassan Junior Khawli – guitar
Evan Doleman – drums
Luke is the rhythm guitarist and singer, an enigmatic presence shrouded in mystery whose songwriting perpetually captivates audiences. His brother, drummer Evan, is the thunderous heartbeat behind the music and, with Luke, together they form a formidable duo. Bassist Robbie is the spiritual backbone of the band, a Religious Education teacher by day, drawing from his degree in philosophy and aided by his pilgrimages throughout India and the East, whose unique perspective on life, music and teaching help shape the band. Lead guitarist Ghassan, born in Lebanon and raised from the age of two in Scotland, channels his rich cultural heritage to infuse the band with an informed blend of passion, virtuoisity and, it can’t be ignored, his mesmerising guitar solos. Their varied cultural references and the deep bonds fostered between them set NOISE apart from the norm. Put simply, they’re not just four boys who met in the pub.
