Southend-based indie rock band No Drinks on the Dancefloor has been on a remarkable journey since their humble beginnings, transitioning from the cramped music rooms of their school to gracing the renowned stage of Chinnery’s in Southend. This historic venue has hosted some of the industry’s biggest names, including Arctic Monkeys and Nothing But Thieves, making it a significant milestone for the band. With the recent release of their latest single, “Devil Eyes,” the band reflects on their journey, the creative process behind the song, and their ambitions for the future.
“Devil Eyes” is a testament to the band’s evolution and dedication to perfecting their signature sound. After countless hours of refining their craft, No Drinks on the Dancefloor found themselves ready to enter the studio and record their debut single at 123 Studios in London. The single was released to the public, marking an exciting chapter in the band’s journey, as they aim to expand their local and online presence. Their mission? To reinvigorate the local music scene with an infusion of energy and to inspire a new wave of indie rock enthusiasts.
But what’s the story behind “Devil Eyes”? When asked about it, the band’s frontman, Jack Solder, shared some insights. “As with every song, there is a story, but I like to keep things quite ambiguous so that people can create their own stories and draw from their own experiences. Ultimately, though, it’s about someone that has a hold of you, and you can’t and don’t know if you want to escape.”
“Devil Eyes” is a high-octane indie rock track that immediately captivates listeners. From its infectious pre-chorus riff to the engaging chorus and the powerful build-up in the bridge, the song maintains an irresistible allure from start to finish. The song’s influences are deeply rooted in the early 2000s indie bands, with Arctic Monkeys standing out as a significant source of inspiration in recent years. Jack Solder explains, “We really wanted to write a song that people can move and dance to, while also keeping the content of the lyrics relatable.”
The beauty of “Devil Eyes” lies in its lyrical flexibility, allowing listeners to adapt the song’s meaning to their own experiences. The opening lines, “She’s got that look in her eyes, and she don’t realize what she’s doing to me, got my head spinning round uncontrollably,” are a testament to the song’s relatability. Whether you’re pursuing a new love interest or navigating a messy breakup, the lyrics offer a canvas upon which listeners can paint their own emotions and experiences.
As “Devil Eyes” has made its way into the world, No Drinks on the Dancefloor is set to make a lasting impression on the indie rock scene. With their passion for music and commitment to delivering energetic, relatable tracks, this talented group is poised for a bright future. Keep an eye on No Drinks on the Dancefloor, as their journey is just beginning, and “Devil Eyes” is only the first chapter in what promises to be an exciting musical adventure.
ABOUT THE BAND:
No drinks on the dancefloor are an energetic UK based indie rock group, who pack a punch with their catchy riffs and high paced tunes. Most often compared to bands like the Arctic Monkeys they also take inspiration from the gritty vocals of Dave Grohl, from the Foo Fighters, and the powerful riffs of Royal Blood. This group of influences gives them a unique sound which, combined with relatable lyricism, makes them an extremely enjoyable band to listen to both live and on record. The four piece band, consisting of Guitar, Bass, Keys and Drums, pride themselves on their live energy and always leaving everything out on the stage when performing. They have had the privilege to showcase their talent at their famous local venue Chinnerys, which was a great honour for them as they played on the same stage as bands like the Arctic Monkeys, The 1975 and Nothing But Thieves. Their debut single Devil Eyes, released on the 25th of August 2023, highlights this energy perfectly as a song packed with memorable riffs and phrases with lyrical content that anyone can relate to, which all leads to an emphatic buildup before the closing chorus.
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