Some albums arrive polished but distant. “Stronger The Faith” doesn’t have that problem. The new record from British duo She’s Got Claws moves with purpose, but it still keeps things real and a bit rough around the edges in the best way.
Across the nine tracks, the pair build a clear synth-pop world that nods to the 80s without getting stuck there. The album is great. lived-in. Personal. The writing comes from real experiences and you can sense that even when the production is glossy.
The first track, “Rewind To Fade” sets the tone early. Strong bass. Clean synth lines. Direct mood. It’s a smart opener because it quickly shows how tight this duo has become in their process. You hear the chemistry.
Micci Lou’s voice is one of the album’s biggest strengths. Catchy, clear, and emotionally present. She knows when to push and when to hold back. That balance matters here. Chris O-Ten’s instrumentation gives her the space she needs. His bass work really stands out. It’s thick. Confident. Supportive without crowding the vocal. The guitars and synth layers fill the background with just enough texture to keep things moving.
The production is seriously well put together. The mixing is clean, almost surgical at times, but it is never cold. Every element sits where it should. The synth tones have character. The pop melodies stick quickly.
We honestly enjoyed this one more than expected. The energy is real, the melodies stay in your head, and the production shows serious care. “Stronger The Faith” is like a duo who understand exactly what they want their sound to be and right now, it’s working.
ABOUT THE DUO:
She’s Got Claws is a UK synth-pop duo with lead bass guitar and synths at the forefront, fusing dark synth-pop and rock influences with electronic arrangements. Lyrics are thought provoking, focusing on identity, sexuality, love and fighting for what is right.
She’s Got Claws is garnering positive feedback from critics and fans. Reviewers praise their innovative sound and lyrical depth: Catchy hooks and profound themes, noted The Guardian, highlighting them as a standout in the synth-pop scene. Emotional resonance with a blend of introspection and catchy melodies, observed NME, emphasising their dedicated fan base and unique approach to songwriting. Lipstick Honey is a banger! declared Humber Wave Radio 106.9fm.
Razor Girl has got swag! commented Jericho Keys on BBC Radio York. They speak to every generation of electronic fans, always a highlight of our playlists, stated BBC Music Introducing. Top lines are the strongest ever, best She’s Got Claws album yet! remarked Andy McCluskey of OMD and Atomic Kitten, with over 40 years in the music industry.
