Is it just me that’s a little bit overwhelmed by the volume of superb music being released at the moment? As is probably predictable if you know me, I’ve got a spreadsheet list of records (which started last year as a lockdown boredom project, a list of classic albums & artists that I had never listened to, and is now a sort of release calendar on top of that) and, more than half way through the year, there are still SO MANY brilliant artists releasing records in the next few months. Big Red Machine, the newly announced James Blake, the debut MarthaGunn, new Bess Atwell, Public Service Broadcasting, LUMP and Jungle to name but a few….
One of my most anticipated albums of the year is The Avalanche from Liz Lawrence. Each new taste of the record is bringing with it such elation, and Babies is no exception to the rule. While previous record Pity Party (a complete gem if you’re new to it) saw Liz drawing on herself and her experiences, the new record takes more of a distanced approach. In Babies, Liz inhabits a character ‘dragging themselves away from drudgery’ – she describes “I thought of a man who’s driving to work every morning and saying goodbye to his wife, kissing her on the cheek and then going to sit in his car, even though he lost his job months ago.”
“I’ve been singing pretty for a long time, and I wanted to try new things. So I’ve machoed it up. Babies is one of my favourite tracks on the record. I felt like I was exorcising some demons with it, just for fun.” The Avalanche is due on September 17th (pre-order/pre-save here.)
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